Kyle Adam Blair - pianist, new music specialist, vocal coach

KYLE ADAM BLAIR

pianist
new music specialist
​vocal coach

Bio  /  Piano Solo  /  Collaborative Piano  /  Modern Opera  /  Theatre  /  Upcoming Performances  /  Contact

Theatre

2026 - No Singing in the Navy (Milo Cramer, world premiere)
2025 - Master Class (Terrence McNally)
2025 - Gone Missing (The Civilians)
2024 - Vinegar Tom (Caryl Churchill)
2020 - Hallelujah Junction (choreographed by Peter Martins)
2019 - An Iliad (Lisa Peterson and Denis O’Hare)
production photos by Rich Soublet

Gone Missing
(music director, on-stage drumset, on-stage piano)
     2/28/2025 - 3/8/2025 / Arthur Wagner Theatre / The University of California, San Diego

created by The Civilians
​written by Steven Cosson
music and lyrics by Michael Friedman
     
directed by Aysan Celik
     music direction by Kyle Adam Blair
     choreography by Scarlett Arreola
     costume design by Ting Xiong
     lighting design by Spencer Duff
     sound design by Padra Crisafulli
     link to program here

- - - 
"In 2002, The Civilians decided to interview New Yorkers about things lost and found, as an indirect response to the
grief and loss of 9/11. The director Steve Cosson and composer Michael Friedman asked me to research and
perform in the original production of Gone Missing, but I wasn’t able to do it at the time. I saw the show multiple
times, fangirled over it, and regularly sang along to the soundtrack. After performing in many Civilians shows over
the years, it was still my favorite. When I did perform in Gone Missing in 2018, it was for a heartbreaking reason.
New York City Center Encores produced a revival of it in memory of Michael, who had died several months earlier at
the young age of 41. He had been one of the most gifted and prolific composers of our generation. During the show
I remember standing on stage, preparing to sing what is possibly my favorite Michael song ever (“Etch-a-Sketch”),
with a heart full of love and grief for my friend, in front of 1200 people who were also grieving. Years later, directing
this fantastic cast of students in the show has been one of the most meaningful experiences I have had as an artist
and educator. It’s incredible to hear their voices bring the piece to life in a whole new way, and to find that it still
resonates with us. I am so grateful to our understudies who were a major part of this process; we could not have
done it without them. Every time I watch the students perform, I understand the grief of loss a little bit more. In a
moment where it feels like the world is collapsing, being in the rehearsal room with these students has been a true
gift, and I hope our community will find this piece as meaningful as I do." 

- Aysan Celik

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    • Lookin' Out My Back Door
    • Wonder
    • Chavez Piano Concerto
    • Palm Sunday
    • Pós-Tudos
    • Dreams of a Young Piano
  • Collaborative Piano
    • Barger - Ligeti
    • Kyle Adam Blair - Leino Songs
    • Bui - Takemitsu
    • Nussman - Dusapin
    • Kyle Adam Blair - WILD WOMEN
    • Minderbinder
  • Modern Opera
    • Pancho Rabbit
    • All Wounds Bleed
    • The Robots
    • The Four-Note Opera
    • Inheritance
    • Noon at Dusk
  • Theatre
    • No Singing in the Navy
    • Master Class
    • Gone Missing
    • Vinegar Tom
    • Hallelujah Junction
    • An Iliad
  • Upcoming Performances
  • Contact
  • Home
  • Bio
  • Piano Solo
    • Lookin' Out My Back Door
    • Wonder
    • Chavez Piano Concerto
    • Palm Sunday
    • Pós-Tudos
    • Dreams of a Young Piano
  • Collaborative Piano
    • Barger - Ligeti
    • Kyle Adam Blair - Leino Songs
    • Bui - Takemitsu
    • Nussman - Dusapin
    • Kyle Adam Blair - WILD WOMEN
    • Minderbinder
  • Modern Opera
    • Pancho Rabbit
    • All Wounds Bleed
    • The Robots
    • The Four-Note Opera
    • Inheritance
    • Noon at Dusk
  • Theatre
    • No Singing in the Navy
    • Master Class
    • Gone Missing
    • Vinegar Tom
    • Hallelujah Junction
    • An Iliad
  • Upcoming Performances
  • Contact